San Galgano: the saint, the king and the sword
This is the story of theknightGalganoand how a visionmade him renounce to wealth, warand women in name of a life of meditationand prayer.This is astory where faith, legend, history and literature merge in one intriguing tale, to thedénouement of which, in truth, we won’t be able to come.
The Abbey of Saint Galgano today. Ph. RennPanda on flickr (flic.kr/p/d51dny)
This is a story of Tuscan hills, hermits, abbeys and secluded chapels, filled withthe scents of incense, religion and popular lore.This is thestoryof a sword, buried deep into the stone and of the holy man who stuck it therealmost 1000 years ago.
Think of the sweet, rollinghillsof Siena’scountryside,around the middle of the 12th century: we’re in theMiddle Ages,magical yetoftenmisinterpreted times of profoundfaith and chilling superstition, ofilliteracy and sublime poetry, of dirt and breathtaking art. An era ofdichotomies and opposites, an era, indeed, where theotherworldly crossed into the lives of people with an uncommon regularity, or so literature and tradition passed on to us.
Then, in the Merse Valley, just a handful ofkilometers from Siena, our story takes place. Itbegins with a a married couple of noble descent, who has been having problems conceiving…
Galgano Guidotti di Chiusdino: from debauchery to holyness
Sources say Galgano Guidotti di Chiusino was the only son of Guidotto and Dionisia, a wealthy couple living in their family castle, inthe Merse Valley.The two had hadproblems conceiving and theyhad almost abandoned all hopes, when Dionisia finally became pregnant. In 1148, she gave birth to a male heir for the family’s fortunes, Galgano.
A wholesome,earthy child, Galgano grew to be a healthyyoung man, who loved hunting, riding horses andhanging out with his friends. He loved women, too and soon became engaged to Polissena Brizzi, ayoung noble from Civitella: not that he had any intention to be faithful, Galgano loved female company too much. He also had a penchant forusing hishands and sword to solve diatribes, all characteristics his family, his mother inparticular, were not toohappy about.
Shortly after Galgano’s father untimely death, the younghell riser had a dream. In it, he saw his ownmother holding thehand of a beautiful angel with golden wings and a sword:the angel spoke to Galgano,inviting himtobecome a warrior. And so he did.
Other dreams of thesame type followed, until one day, in 1180–legends say during a balmySpring morning – whiletraveling to Civitella to seeyoung Polissena, Galgano had a vision of the Archangel Michael, the same of hismany dreams: so startled was he, that he fell from his horse. Back on histwo feet, Galgano was a different man: he took his sword and plunged it into a rock, transforming it into a cross.It was time to become a Miles Christi, a soldier of Christ, abandoning a worldly army to join a celestial one. The branches of the trees all around, as to protect the physical evidence ofthe miracle, curved upon it, creating a natural dome. From that moment on, Galgano devoted hislife to prayer and holiness.
As a matter of fact, even his betrothed, Polissena,converted to a life of asceticism.
Galgano passed away on the 3rd of December 1181, legends say near his sword in the stone. On that very spot, today, isthe Rotonda di Montesiepi, a small chapel where you can still see it. The Rotonda was built between 1182 and 1185, much earlier than the nearby abbey of Saint Galgano, today abandoned, the construction of whichbegan onlyaround 1220. Its fortunes ran with ups and downs until 1789, when it was deconsecrated and abandoned.
The sword in the stone in Montesiepi. Ph. Fiore S. Barbato on flickr (flic.kr/p/dg9FZ1)
Saint Francis and Galgano
For those interested in thehistory of theChurch,hagiography or simply devout to Saint Francis of Assisi, the similaritiesbetween the conversion of Galgano and that of the patron saint of Italy and Europe must haveimmediatelyjumped to theeye. Saint Francis was also the unruly childof awealthy family and his conversion came after many years of debauchery and sins.
Similarities, those between thetwo holy men, soclose to bring many to believe Galgano may be a legendary character based on the life of his prestigious contemporary. Galgano died the same year of Saint Francis’ birth, 1181at the age of 33, the same as Christ:some see this as yet another piece of evidenceproving he may have been an invented character. Truth is, there is not enough material to demonstrate he never existed so, for the sake of our story, let us think of him as a real, bona fide holy man of the late Italian 12th century.
Galgano and King Arthur
The Rotonda di Montesiepi, where Galgano’s sword is, still today. Ph. Roberto Bertoli on flickr (flic.kr/p/bLbuSc)
The presence of Galgano’ssword in the Rotondamakes the association between the saint and Arthur’s knights even more enticing. If you add into the mix that theRotonda has theroundshape of a cup (the holygrail is traditionally believed to be eitherthe cup where Christ drankwine from duringthe Last Supper, or the vessel usedto gather hisblood during crucifixion)the connection between Galgano, the grail and Arthur seems magically possible.
An historical side tothe legend?
No, notthat of the holy grail: the diatribe onwhether it exists or not has been going onfor decades and, let us face it, recent historicallydubious incursions of novelists into the field did little to clarify things. Isthere,though, a possible link between the figure of Galgano and the birth ofKing Arthur’s legends in France and northern Europe? Some say it could be historically plausible that tales of Galgano’s mystical conversion and miraclesreached Britain through France,in the years immediately successive to his death.
Thereason could lieinthe presence of the Cistercians in Saint Galgano’s area (even his monastery was theirs): the order had beenparticularly active in the dissemination of Arthurian legends all over Europe and their numerous monasteries in Italy, FranceandBritain make it possible to believe it was, indeed, through them that Galgano and Arthurmetaphorically met.
If we take for granted the relationship between Galgano and Arthur, it stillremains hard to ascertain whose life – or legend – influenced whom: is it the story of Galgano and his miraculous sword that travelled all the way upNorth to Britain, or was Galgano a keen follower of Arthur’s legendary tales, as recounted by the Cistercians, to the point hestuck his sword intostone aware of emulating, albeit in reverse, a great hero?
The mystery, indeed, remains.
























